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Hotel art has changed. In the last few years, generic photography and reproductions of works by Old Masters have given way to remarkable pieces of artwork befitting top-notch museums and the worlds best private galleries. Though it may feel like a 180-degree shift from the boring artwork that preceded these new and imaginative displays, hotels becoming cultural destinations unto themselves, by hanging up artwork ideal for the worlds top museums and private galleries, makes sense. The standard used to be that youd put a picture in a frame and call it a daybut hotels dont cut it anymore with this, says Spencer Bailey, editor-in-chief of a multivolume book series starting with Design: The Leading Hotels of the World and cofounder of the media company The Slowdown. People expect more with the artwork, the furniture. People want to feel a sense of craftiness at every touch point at a hotel. Millennial and Gen Z travelers in particular crave authentic, upscale, and culture-based experiences, a notion that has extended into the hotels branding itself through the use of artwork. Its something that still predominantly exists in the high-end, five-star hotel market, Bailey says. The Damien Hirst Empathy Suite at the Palms, Las Vegas, 2019. [Photo: David Becker/WireImage/Getty Images] Indeed, Denvers luxury-focused Art Hotel showcases a 22,000-piece LED light installation by Leo Villareal. Theres also Damien Hirsts outstanding art suite called the Empathy Suite at the Palms Casino Resort in Las Vegaswhere, for a whopping $100,000 a night, you too can gaze in disbelief at one of six original full-size pieces, like the one titled Winner/Loser, in which two taxidermied sharks float suspended in formaldehyde. Some big-brand hotels are now breaking into the art hotel concept, using carefully curated art collections as a way to help define their brand identity and sharpen their claims of authenticity. Hilton recently jumped on the bandwagon with the Curio Collection, a series of 180 individually distinct and decorated hotels. Competitor Marriott has its Autograph Collection, which has grown to 154 hotels since launching in 2010. Smaller operators are now also embracing an art-forward approach. [Photo: courtesy The Lytle Park Hotel] Merging history and art at a Cincinnati boutique The Lytle Park Hotel in Cincinnati, Ohiopart of Marriott’s Autograph collectionquite literally sits at the intersection of art and hospitality. The property, opened in 2020, combines the hotels structure from 1909 and themes from the next-door Taft Museum of Art. The venues Lytle Park neighborhood is now a lovely residential area, but at the turn of the century, Cincinnatis elite dwelled here and propagated the citys cultural and artistic center. Artwork from the museum adorns some of the hotels walls, a gesture to the hotels link to this rich, storied past. To better connect guests to the areas history and culture, the hotel in 2025 debuted its Taft Suite, which pays homage to the citys illustrious Taft family, including its most famous member, William Howard Taft, the 27th president of the United States. [Photo: courtesy The Lytle Park Hotel] Museums play a crucial role in the economy of American cities, contributing over $50 billion annually to the U.S. economy, says Rebekah Beaulieu, Ph.D, president and CEO of the Taft Art Museum. Hence Cincinnati, she hopes, will benefit from the hotel/museum cross-sector approach to cultural collaboration. Todays hotel guests really want to be transported into a hotels story, says Colletta Conner, principal designer at ForrestPerkins, which designed the Taft Suite. Through its curated gallery experience, the suite offers hotel guests a glimpse into the Lytle Park of the early 20th century, when the Taft family lived there. Guests can peruse the spaces painted garden scenes and river valley motifs that feel vaguely reminiscent of the Ohio River Valley. For an added personal touch, there are even photographs of President Taft peppering the walls. [Photo: courtesy The Lytle Park Hotel] Creating a narrative is a very imprtant part of the design process, Conner explains. Sometimes you could walk onto a property and not feel a story. Sure, the hotel might be beautifulbut theres no story that pulls guests into the hotel experience. Conner says ForrestPerkins works with a lot of different hotel brandslike Sheraton, Four Seasons, and Ritz Carltonto craft a brand narrative for each hotel. We provide local context to these properties, creating unique narratives for each that add up to unique, one-of-a-kind hotel experiences. [Photo: courtesy The Lytle Park Hotel] The design team wanted the suite to match the tone set by the gallery, which occupies a historic home that was built in 1820. Some of these hotels that think about the gallery concept are more like white-box museum gallery types of spaces, says Conner. But our intention here was to have almost this home feeling, which is how the Taft Museum next door is set up. And yet, there might be an inherent contradiction in art hotels. Art requires taste, which can be a very controversial subject, and it requires lots of money, Bailey says. Owners of what was once considered the most valuable art collection in the west, the Tafts were obviously among Cincinnatis most privileged. Objects in the hotel, especially the Taft Suite, point to the Taft Museums Rembrandts and Turners, Italian majolica painted pottery, and Chinese porcelains, the latter a coveted collection both then and now. In many ways, art is a luxury item, and great hotels will need to understand that, Bailey says. The artand where it came fromchosen for each art hotel becomes an embodiment of that hotel as much as the architecture or furniture is. If visitors sense any air of elitism at the hotel, its quickly dispersed by the interior designs and friendly staff. An open concept layout in the main lobby, complete with a stunning skylight that lets in plenty of natural light, mirrors the welcome attitude the hotel and its staff emanate. While they didnt plan these main areas, ForrestPerkins designers emphasize how convivial the spaces are meant to feel, and they sought to reflect this ambience in the Taft Suite. The idea was to have museum quality displayed in a home environment, to be welcoming, approachable, and accessible, Conner says. 21c Louisville [Photo: courtesy 21c] A new kind of art hotel As one-off hotels tailor their art offerings to their locales, boutique chain 21c Museum Hotels is scaling that approach. A chain of seven boutique hotels in the Midwest and South, the brand sees itself as a forward-thinking contemporary art museum first and a hotel second. 21c Bentonville [Photo: courtesy 21c] When you walk into a 21c, youre walking into a hotel lobby, but youre also walking into a museum gallery, says Alice Gray Stites, chief curator for 21c Museum Hotels. Every 21c hotel lobby, hotel hallway, event space, and meeting room is treated like a museum gallery, where Stites installs a varied range of exhibitions. 21c Lexington [Photo: courtesy 21c] The brand got its start in 2006, at a time when revitalizing urban cores and building preservation werent part of many peoples lexicons. As 21c cofounders, preservationists, and contemporary art collectors, Laura Lee Brown and Steve Wilson imagined that contemporary art could be a catalyst for revitalizing their hometown of Louisville, Kentucky. In the end, the pair combined their art collection with the hotel concept because a research firm they had hired revealed that their city needed more hotel rooms to spur tourism. 21c Louisville [Photo: courtesy 21c] Laura and Steve wanted to take away the velvet rope that people sometimes perceive when walking into a museum. The result? A different kind of model for both the museum world and the hospitality industry. The hotel offers urated exhibitions that are open 24/7 and cover important topics of the day, and that cycle in and out every six months. 21c was a pioneer in thisthey were an early driver in the art hotel trend, Bailey says. 21c St. Louis [Photo: courtesy 21c] At first glance, there seems to be some tension between the 21c idea of making art more accessible and the fact that its only available in a boutique hotel, where rooms cost upward of $185 a night. Most hotels dont invite anyone who hasnt booked a room to wander their lobbies or hallways, whereas 21c allows anyone, free of charge, into the hotels to view its artwork on display. [21c has] created this idea of living with art and not being intimidated by art, breaking down the formal boundaries that feel so imposing sometimes for outsiders when they walk into an art gallery or museum,” Bailey says.
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Is your green my green? Probably not. What appears as pure green to me will likely look a bit yellowish or blueish to you. This is because visual systems vary from person to person. Moreover, an objects color may appear differently against different backgrounds or under different lighting. These facts might naturally lead you to think that colors are subjective. That, unlike features such as length and temperature, colors are not objective features. Either nothing has a true color, or colors are relative to observers and their viewing conditions. But perceptual variation has misled you. We are philosophers who study colors, objectivity, and science, and we argue in our book The Metaphysics of Colors that colors are as objective as length and temperature. Perceptual variation There is a surprising amount of variation in how people perceive the world. If you offer a group of people a spectrum of color chips ranging from chartreuse to purple and asked them to pick the unique green chipthe chip with no yellow or blue in ittheir choices would vary considerably. Indeed, there wouldnt be a single chip that most observers would agree is unique green. Generally, an objects background can result in dramatic changes in how you perceive its colors. If you place a gray object against a lighter background, it will appear darker than if you place it against a darker background. This variation in perception is perhaps most striking when viewing an object under different lighting, where a red apple could look green or blue. Of course, that you experience something differently does not prove that what is experienced is not objective. Water that feels cold to one person may not feel cold to another. And although we do not know who is feeling the water correctly, or whether that question even makes sense, we can know the temperature of the water and presume that this temperature is independent of your experience. Similarly, that you can change the appearance of somethings color is not the same as changing its color. You can make an apple look green or blue, but that is not evidence that the apple is not red. Under different lighting conditions, objects take on different colors. [Photo: Liia Galimzianova/Getty Images] For comparison, the moon appears larger when its on the horizon than when it appears near its zenith. But the size of the moon has not changed, only its appearance. Hence, that the appearance of an objects color or size varies is, by itself, no reason to think that its color and size are not objective features of the object. In other words, the properties of an object are independent of how they appear to you. That said, given that there is so much variation in how objects appear, how do you determine what color something actually is? Is there a way to determine the color of something despite the many different experiences you might have of it? Matching colors Perhaps determining the color of something is to determine whether it is red or blue. But we suggest a different approach. Notice that squares that appear to be the same shade of pink against different backgrounds look different against the same background. The smaller squares may appear to be the same color, but if you compare them with the strip of squares at the bottom, theyre actually different shades. [Photo: Shobdohin/Wikimedia Commons, CC BY-SA] Its easy to assume that to prove colors are objective would require knowing which observers, lighting conditions and backgrounds are the best, or normal. But determining the right observers and viewing conditions is not required for determining the very specific color of an object, regardless of its name. And it is not required to determine whether two objects have the same color. To determine whether two objects have the same color, an observer would need to view the objects side by side against the same background and under various lighting conditions. If you painted part of a room and find that you dont have enough paint, for instance, finding a match might be very tricky. A color match requires that no observer under any lighting condition will see a difference between the new paint and the old. That two people can determine whether two objects have the same color even if they dont agree on exactly what that color isjust as a pool of water can have a particular temperature without feeling the same to me and youseems like compelling evidence to us that colors are objective features of our world. Colors, science, and indispensability Everyday interactions with colorssuch as matching paint samples, determining whether your shirt and pants clash, and even your ability to interpret works of artare hard to explain if colors are not objective features of objects. But if you turn to science and look at the many ways that researchers think about colors, it becomes harder still. For example, in the field of color science, scientific laws are used to explain how objects and light affect perception and the colors of other objects. Such laws, for instance, predict what happens when you mix colored pigments, when you view contrasting colors simultaneously or successively, and when you look at colored objects in various lighting conditions. The philosophers Hilary Putnam and Willard van Orman Quine made famous what is known as the indispensability argument. The basic idea is that if something is indispensable to science, then it must be real and objectiveotherwise, science wouldnt work as well as it does. For example, you may wonder whether unobservable entities such as electrons and electromagnetic fields really exist. But, so the argument goes, the best scientific explanations assume the existence of such entities and so they must exist. Similarly, because mathematics is indispensable to contemporary science, some philosophers argue that this means mathematical objects are objective and exist independently of a persons mind. The bright colors of this granular poison frog signal a warning to predators of its toxicity. [Photo: Wikipedia, CC BY-SA] Likewise, we suggest that color plays an indispensable role in evolutionary biology. For example, researchers have argued that aposematismthe use of colors to signal a warning for predatorsalso benefits an animals ability to gather resources. Here, an animals coloration works directly to expand its food-gathering niche insofar as it informs potential predators that the animal is poisonous or venomous. In fact, animals can exploit the fact that the same color pattern can be perceived differently by different perceivers. For instance, some damselfish have ultraviolet face patterns that help them be recognized by other members of their species and communicate with potential mates while remaining largely hidden to predators unable to perceive ultraviolet colors. In sum, our ability to determine whether objects are colored the same or differently and the indispensable roles they play in science suggest that colors are as real and objective as length and temperature. Elay Shech is a professor of philosophy at Auburn University. Michael Watkins is a professor of philosophy at Auburn University. This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Social media users have been having a field day with Waymos autonomous vehicles, sharing videos that poke fun at the driverless cars getting stuck, acting unpredictably, or simply navigating the world a little too awkwardly. The latest wave of posts follows Waymos recent expansion into Austin, where users are already documenting bizarre and frustrating experiences with the service. TikTok user Becky Levin Navarro posted a video on April 20 claiming a Waymo car trapped her and her fellow passengers on the side of a highway after heading in the wrong direction. This is the most insane thing. Were in a Waymo, here, under Mopac, she said. It was going the wrong way, we called customer support, it stopped us right here and wouldnt let us out of the car. @beckypearlatx Zero stars for waymo. When we pulled up next to Deep Eddy Cabaret and the waymo didnt let us out and instead kept going the wrong direction towards downtown we said please let us out here it wouldnt let us out so it headed east, turned around back towards deep eddy cabaret and then STOPPED in a horrible spot to stop. We kept asking for it to move and customer service refused. #waymo #tiktok original sound – Becky Levin Navarro The video shows passengers speaking to customer support through the cars intercom. The agent explains the car can’t be moved manually, and asks for a physical address to relocate the vehicle. A Waymo spokesperson later responded: Waymo riders always have the ability to pause their ride and exit the vehicle when desired. Passengers can exit the vehicle by pulling the handle twiceonce to unlock and another to open the door. From being called drunk robots to causing traffic jams in the middle of the night, Waymo has become a regular subject of online trolling. Viral clips include Waymos honking at each other in the early morning hours, jamming up intersections, and getting stuck in drive-throughs. Some show police and parking enforcement stepping in to deal with wayward vehicles. @bluenote727 Waymo Self Driving Car Big Malfunction original sound – Blue Note A video from San Francisco shows a Waymo going the wrong way during a Warriors game as officials try to redirect it. Its not funny. This is a very serious matter, a police officer jokes to bystanders. The vehicle eventually backs up, awkwardly swerving to avoid a pickup truck. See, it worked!” the officer says with a shrug. “Still a little weird. I wouldnt have went that way, but . . . @travellingnepali When a Waymo driverless car goes the wrong way during a Warriors game in SF and the cops + parking enforcement have to teach it a lesson. Waymo: processing processing Finally it gets the memo and turns back! #Waymo #bayareacheck WaymorivingStruggles #SanFrancisco #WarriorsGame #driverlesscar #nepali original sound – Anil & Mansha Waymos fleet has more than tripled on California roads over the past year. A DMV report from April 11 cites 30 autonomous vehicle incidents in 2024. Still, Waymo reports 81% fewer injury-causing crashes and 64% fewer airbag deployments compared to human drivers in San Francisco and Phoenix. Despite its safety claims, the company remains a favorite online target. As Waymo expands into more citiesincluding a recent launch in Tokyothe internet doesnt seem ready to let the driverless cars off the hook.
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