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Womens healthcare is under unprecedented attack. Women across the U.S. are being denied access to basic reproductive healthcare and funding for research into diseases that affect women is being cut. Theres an urgent need for healthcare providers and, arguably, any brand that plays a role in womens daily lives, to step up and transform women’s health services and spaces through feminist design. Feminist design taps into womens and under-represented groups needs in order to create tools, services, and environments that combat systemic oppression. Propelled by the inequalities that surfaced over the COVID-19 pandemic, the current feminist movement is more intersectional and self-critical, shifting focus from the individual to large-scale change making. Feminist design champions equity for all. Feminist design goes beyond adapting things to make them more accessible or friendly to women and girls. The goal with this approach is to make transformational change by questioning design as an entire system, by considering the systemic biases embedded in the design processes and asking ourselves what might be possible if these are challenged. Designs inherent gender bias Like almost every industry, design has historically been shaped by patriarchal structures. With everything from smart phones to crash test dummies based on the requirements of the average male, women have been neglected by normative design. The Women in Global Health report found that during the pandemic only 14% of female healthcare workers had properly fitted PPE. The industry continues to be male dominated; A survey by the American Institute of Graphic Arts (AIGA) in 2019 showed that women make up 61% of the design workforce but only 24% are in leadership roles. The design of healthcare facilities is often rooted in hierarchical, paternalistic doctorpatient dynamics with environmental conditions that disfavor and often endanger women. For example, bright fluorescent lighting typical in hospitals has been found to increase stress levels and hinder the release of birthing hormones in laboring women. By contrast, feminist design explores how sensorial design can reduce stress and improve overall well-being, and shifts the emphasis to care, listening, and shared decision-making. For example, well-being is integral to the design of the Pearl Tourville Womens Pavilion in Charleston, South Carolina. The space was designed based on feedback from patients and staff, and features calming acoustics and aims to create a more welcoming, homelike atmosphere.Likewise, the design of the Barlo MS Centre in Toronto, responds to the specific challenges experienced by the people it servespatients with multiple sclerosisand includes a customized gymnasium, high-tech lecture spaces, and an Activities of Daily Living Lab, where patients can learn how to modify their homes. Women drive healthcare spending yet their needs are unmet As well as the obvious health and societal benefits, there is a major economic case for feminist design. An investment of $350 million in women-focused research could generate an estimated $14 billion in economic returns by increasing productivity, reducing healthcare costs, and lessening the burden of disease, according to a report from Women’s Health Access Matters (WHAM). Women make 80% of healthcare spending decisions, according to McKinsey & Company research, yet solutions tailored to their specific health needs remain underfunded. This provides a huge opportunity for brands, start-ups, and healthcare providers to deliver new value by transforming women’s health services, tech, and spaces. Principles of feminist design Feminist design promotes reciprocal practices in which communities act as consultants, shaping decisions from the outset. There is no one-size-fits-all design solution: Every environment and its community is different. Problem-solving needs to be experimental and, above all, participatory. Ultimately the vision comes from within the community, and designers make the reality happen. Here are some key ways to embed feminist design into products, services, platforms, buildings, and spaces: 1. Enable people to take ownership of their health and informationEmpower women with knowledge and equip them with tools to improve their health at their own convenience. FOLX Health has done this for the LGBTQ+ community, as the first ever digital healthcare provider designed to meet the medical needs of this community, offering online consultations with medical experts and deliveries of treatments direct to peoples homes. 2. Provide comfortable and safe spacesUnderstand the needs of diverse audiences and design flexible spaces to accommodate them, from family-centric areas with play spaces for children to intimate spaces for those breastfeeding or experiencing loss or trauma. Ensure basic facilities can be adjusted to accommodate different body types and abilities. Bring psychological comfort with soothing colour palettes, natural textures, and adjustable lighting.Nature is vitalbiophilic design principles can aid healing. Prioritize natural light, curved forms, and sensory stimuli. With its beautiful, yet functional, design, the Tokyo Toilet project is an example of how design can transform the most commonplace aspects of everyday life. 3. Build education programs and resourcesHelp women monitor their health, track symptoms, and make informed decisions through user-friendly interfaces and experiences. Inspire curiosity and exploration so people build a connected ecosystem of partners and information thats expansive and accessible. This is showcased by Midi, a health platform for women over 40, where women can access virtual consultations with medical specialists trained in treating menopause symptoms. 4. Provide platforms for community voicesInclusive language, accessibility, and privacy matter. From healthcare workers to patients and architects to policy makers, create a safe space for diverse groups to share their experiences, showing trust in their expertise. Foster a sense of belonging and establish a reciprocal feedback loop to drive strong relationships and open dialogue. This approach informs womens health research platform the Lowdown, which aims to enable women to review and research their health conditions, symptoms, and medications. Designers as activists Designers have the power to make real social impact by centering their work around empathy, care, and collaboration. The most transformative waves will come from those who dare to interrogate internal design processes and challenge convention. Feminist practitioners, like pioneering architect Phyllis Birkby, have long resisted dominant power structures and imagined alternative futures. Their activism feels ever more urgent against todays political backdrop. Practices like experimental storytelling, community-building, education, an radical testing offer ways to reimagine how we live, care, and design. When mindsets shift, so too can policy.
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E-Commerce
Want more housing market stories from Lance Lamberts ResiClub in your inbox? Subscribe to the ResiClub newsletter. During the pandemic housing boom, from summer 2020 to spring 2022, the number of active homes for sale in most housing markets plummeted as homebuyer demand quickly absorbed almost everything that came up for sale and home sellers had ultimate power. Fast-forward to the current housing market, and the places where active inventory has rebounded to 2019 levels (due to strained affordability suppressing buyer demand) are now the very places where homebuyers have gained the most power. At the end of June, national active housing inventory for sale was still -11% below June 2019 levels. However, more and more regional markets are surpassing that threshold. This list is growing: January 2025: 41 of the 200 largest metro-area housing markets were back above pre-pandemic 2019 inventory levels. February 2025: 44 of the 200 largest metro-area housing markets were back above pre-pandemic 2019 inventory levels. March 2025: 58 of the 200 largest metro-area housing markets were back above pre-pandemic 2019 inventory levels. April 2025: 69 of the 200 largest metro-area housing markets were back above pre-pandemic 2019 inventory levels. May 2025: 75 of these 200 major markets were back above pre-pandemic 2019 inventory levels. June 2025: 78 of these 200 major markets were back above pre-pandemic 2019 inventory levels. July 2025: 80 of these 200 major markets were back above pre-pandemic 2019 inventory levels. Now, at the latest reading for the end of August 2025, 80 of the 200 markets are above pre-pandemic 2019 inventory levels. Click to expand. While this list of housing markets that are back above pre-pandemic 2019 inventory levels was growing through much of the year, it has stalled a little recently. The reason? Inventory growth has slowed in recent monthsmore than typical seasonality would suggestas some home sellers in soft and weak markets in the Sun Belt have thrown in the towel and delisted. (More on that in another piece.) This next table helps you see what the inventory picture in these same 80 markets looks like now and what it looked like last year. Click to expand. Among these 80 markets, youll find lots in Sun Belt markets like Florida, Texas, Arizona, and Colorado. Many of the softest housing markets, where homebuyers have gained leverage, are located in Gulf Coast and Mountain West regions. Some of these areas were among the nations top pandemic boomtowns, having experienced significant home price growth during the pandemic housing boom, which stretched housing fundamentals far beyond local income levels. When pandemic-fueled domestic migration slowed and mortgage rates spiked, markets like Cape Coral, Florida, and San Antonio, Texas, faced challenges as they had to rely on local incomes to sustain frothy home prices. The housing market’s softening in these areas was further accelerated by the abundance of new home supply in the pipeline across the Sun Belt. Builders in these regions are often willing to reduce net effective prices or make other affordability adjustments to maintain sales. These adjustments in the new construction market also create a cooling effect on the resale market, as some buyers who might have opted for an existing home shift their focus to new homes where deals are still available. In contrast, many Northeast and Midwest markets were less reliant on pandemic migration and have less new home construction in progress. With lower exposure to that demand shock, active inventory in these Midwest and Northeast regions has remained relatively tight, keeping the advantage in the hands of home sellers. !function(){"use strict";window.addEventListener("message",function(a){if(void 0!==a.data["datawrapper-height"]){var e=document.querySelectorAll("iframe");for(var t in a.data["datawrapper-height"])for(var r,i=0;r=e[i];i++)if(r.contentWindow===a.source){var d=a.data["datawrapper-height"][t]+"px";r.style.height=d}}})}(); Generally speaking, housing markets where inventory (i.e., active listings) has returned to pre-pandemic levels have experienced softer/weaker home price growth (or outright declines) over the past 36 months. Conversely, housing markets where inventory remains far below pre-pandemic levels have, generally speaking, experienced more resilient home price growth over the past 36 months. ResiClub PRO members can find our latest inventory analysis for 800-plus metros and 3,000-plus counties here, and our latest analysis showing why the 2019 inventory comparison remains insightful here.
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E-Commerce
Last week, after the Trump administration pressured ABC to drop Jimmy Kimmel from its late-night television lineup, a Daily Show guest summed up how Americans are reacting as the country slides into authoritarianism: Were like deer in the headlights. Weve watched masked men surround a PhD student on a Boston street and force her into an unmarked van and prison in response to an article shed written in a student newspaper. Weve watched the government use the military to police citizens in Washington, D.C., and Los Angeles. Weve watched President Trump grab power from Congress as he enacted tariffs and dismantled the U.S. Agency for International Development. He’s threatened his opponents with retribution, accepted a $400 million gift jet from Qatar, and said that the Federal Communications Commission should pull the license of any TV station that criticized him. The list goes on. The response to all of this has been slow from politicians and citizens alike. Its similar to the attitudes toward climate change: Were witnessing the worsening of the climate, but were still not stopping it. This is a well understood and disturbing phenomenonthat people do adjust to the circumstances around them, including to greater political repression, and the loss of important freedoms, and the erosion of support for free and fair elections, says Michael Ross, a political science professor at UCLA. People have a hard time living in a state of constant emergency. And for better or worse, humans have learned over the millennia to adjust to their social circumstances. That’s clearly happening now, and very quickly. In both cases, experts have been warning about the risks for years, but their concerns have either been downplayed or ignored. Climate scientists warned decades ago that a warming planet would lead to the record-breaking disasters were seeing now. Likewise, in the U.S., political scientists have spent years describing the growth of trends that led to authoritarianism in other countries. It could have been possible to intervene earlierbetter regulating social media, for example, could have helped reduce the extreme polarization that set up the conditions for authoritarianismbut we didn’t. And the majority of people aren’t acting now. As with climate, changes that seem shocking at first get normalized. People focus on their everyday lives; the impacts can seem distant at first. For both climate and the erosion of democracy, some damage has already been done. The question is whether we’ll change direction quickly enough to prevent the worst-case scenario. The slide toward authoritarianism Now, like climate change, authoritarianism in the U.S. is accelerating even faster than experts anticipated. I have been kind of shocked by the first nine months of the Trump administration, says John Carey, a government professor at Dartmouth University. But frankly, I was surprised in the first Trump administration too. And now that feels like a simpler, more innocent time. Carey and colleagues run Bright Line Watch, a project that has been polling political scientists and the public about democracy since 2017. He expected a massive public response then that never came. We were watching what we saw as key democratic transgressions in the 2016 campaigncalling for jailing your opponents, saying publicly that you might or might not accept the outcomes of the election,” he says. “We were watching them happen and thinking, When is the public going to turn? The bright line the group was looking for was the line that, if crossed, would create a huge backlash. Were frankly still waiting, he says. As our freedoms erode, new realities can become normalized. If the National Guard is deployed on the streets of D.C., its less shocking when it happens in Memphis. The same thing happens with climate impacts. Until recently, massive wildfires in Canada were unusual, for example. Now theyre beginning to feel expected, along with smoke drifting from the fires to parts of the U.S. Human psychology makes it hard to tackle this type of social challenge Like climate, some form of denial is common even when you’re well aware of what’s happening. It’s common to think that you have enough to deal with in your life already, says Per Espen Stoknes, a Norwegian psychologist who has studied why people are slow to act on climate change. In the case of growing authoritarianism, “Folks generally go on with a ‘double life’; on the one hand knowing that it is the unmaking of a century of democratic development, on the other hand just living-life-as-always without making a fuss about it,” he said via email. The threat can also seem distant, in the same way that climate impacts often feel distant even if you’re living in a flood zone or wildfire zone. Oil companies fought climate action with misinformation; the Trump administration, similarly, insists that it’s doing nothing wrong. As polarization grows, each side believes the problems are the other’s fault and seeks out echo chambers. (In the case of climate change, although the majority of Americans now say the issue is important to them, a small segment of people still don’t think it’s happening or believe it isn’t caused by humans.) “Through confirmation bias, people will listen more to pundits and experts who confirm their view,” Stoknes says. The scale of the problem, for both issues, can feel so overwhelming that people turn away. Messages of doom don’t help. “Folks adapt, habituate, and feel fatigue to messages and messengers that repeatedly (over)use threats about slow-moving abstract issues,” says Stoknes. What messages work? A positive message can be more effective than warnings about the breakdown of democracy. New York state Assemblymember and mayoral candidate Zohran Mamdani is one example, says UCLAs Ross. “You may or may not agree with him, but he has a positive agenda and people, I think, are really responding to that,” he says. “It’s not just, ‘I’m going to stop this thing from happening’ and ‘I won’t allow this.’ It’s ‘I want to do these new things. I think that’s what missing right now.” For climate, that could include messages about better solutions, like cheap solar power, rather than focusing on the destruction of the planet. In both cases, Stoknes says it’s useful to keep talking to the people around you to help mobilize them, sharing small wins, and to give people simple things to do, whether that’s supporting local renewable energy or joining a No Kings protest. It still isn’t too late to act, Ross says. It’s obvious that Americans are worried: By some estimates, the No Kings protest in June might have been the largest single-day protest in U.S. history. But more needs to happen. “The most effective social movements are ones that have an ongoing organization and a clear set of demands,” he says. “They may be regularly mobilizing people for protests, but they have a lot more going on. I think there’s a tendency, maybe because of social media, to think, Hey, if we all just get together and go out for a rally, you know, then we’ve done our work. And in fact, that’s just kind of the tip of the iceberg.” There’s an extra challenge compared to trying to push for climate action: more personal risk. “If you don’t install solar and insulate your house, it’s bad for the climate and you’re not doing your part, but it’s not necessarily bad for you,” says Archon Fung, director of Harvard University’s Ash Center for Democratic Governance and Innovation. “Whereas if you’re Jimmy Kimmel or the president of Harvard University or a law firm that stands up for democratic reform, then you [risk] being targeted by the government. And that’s an intrinsic part of how authoritarianism works that is different from climate.” Both problems are intertwined: If democracy doesn’t function, climate action also won’t happen at the speed that it needs to. It doesn’t matter whether the majority of Americans support renewable energy if Trump unilaterally attacks it. Humans clearly aren’t good at tackling problems like this that gradually unfold. And the longer we wait to do something, the fewer tools we’ll have left to fightif anyone can figure out how to do it.
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E-Commerce
It’s the size of a coaster and looks like a toy, but when the needle hits its groove, it’s immediately clear that Tiny Vinyl is exactly what its name suggests: a tiny vinyl record. Measuring just four inches in diameter, it’s a miniaturized version of the familiar 12-inch records that have existed in one form or another for more than 130 years, and just as playable. Shrinking the record down to pocket size is an unexpected evolution for this old technology, but starting later this month this new take on an old concept will be hitting stores nationwide. Tiny Vinyl, the Nashville-based company behind this concept, has more than half a million small records coming off the presses for an exclusive retail partnership with Target. More than 40 tiny records will be released in the next two months, with a mix of contemporary artists and well-known rereleases. New acts like Doja Cat, Chappell Roan, and Doechii stand alongside throwbacks like 1999-era Britney Spears, early hits from the Rolling Stones, and Christmas singles from Frank Sinatra. Each will retail for $14.99, and, like 45 RPM singles, will include one song on each side. [Photo: courtesy Tiny Vinyl/Broken Bow Records Music Group] The idea was born two years ago when toy industry veteran Neil Kohler was thinking of new ways to expand the universe of one of the toys he’d helped bring to market. Toymaker Funko has seen massive global success with its Pop! line of collectible pop culture figurines. Kohler noticed how many of the company’s best-selling figurines were musical acts, and thought it might be fun to create tiny playable records that could accompany the toys. He started socializing the idea with people in his circle in Nashville and got talking with Jesse Mann, who’s had a long career managing bands and putting on music festivals. He thought the tiny record idea could stand on its own. [Photo: Ethan Lovell/courtesy Tiny Vinyl/Warner Music Group] The two reached out to Nashville Record Pressing, a vinyl production facility that opened in Nashville in 2022. They found that it was technically possible to create tiny playable records, small enough to fit in a pocket but big enough to hold up to four minutes of audio. That’s more than enough for most artists today. “Thanks to Spotify and other trends in music generally, the average length of a song is getting shorter and shorter,” Kohler says. And thanks to Spotify and other trends in music, the experience of listening to music has become increasingly digital in recent years. That’s also led to a hunger among some listeners for a more analog or physical connection to music, whether in the form of records or compact discs or even cassette tapes. From a revenue and fan building perspective, there’s also a growing interest among bands and record companies to physically get music into the hands of fans however they can. Tiny Vinyl is a new way to do just that. [Photo: courtesy Tiny Vinyl/Concord] After soft launching the format on merchandise tables for a few touring indie artists last year, Kohler and Mann saw enough demand from both artists and fans to start thinking bigger. Last fall they partnered with Urban Outfitters for a limited release by violinist Lindsey Stirling. It sold out within the first day. Kohler reached out to contacts at Target that he had from his toy industry days and the ball got rolling on what would become an even bigger retail launch. The vinyl resurgence The partnership comes at an interesting time for vinyl records. Despite the age of the technology and its seeming replacement by tapes, CDs, and streaming, records are surprisingly resilient. More than 55 million vinyl records were sold in the U.S. in 2024, up from about 13 million in 2016. Oddly, many of those sales are to people who aren’t actually listening to the records. A report from 2023 found that 50% of vinyl record buyers do not have turntables on which to play them. “They never even open the shrink on the vinyl,” says Kohler. [Photo: Ethan Lovell/courtesy Tiny Vinyl/Universal Music Group] These collector-fans are not the market Tiny Vinyl is chasing, or at least not the only one. Kohler sees the small records his company is producing as a new music format, less skippable than a streaming service but easier to engage with than a full-length record. “We’re trying to create more of a digestible vinyl experience, and hopefully bring people into the vinyl medium with a couple of songs at a pretty accessible price point,” he says. Mann, the music industry veteran, says the shrinking of the record has appeal on both sides of the merch table, giving bands another revenue-generating way to engage with fans, and giving fans an affordable takeaway alternative to a tour T-shirt that can cost upwards of $50. That’s why Tiny Vinyl insisted on making their mini records as similar to existing records as possible. “Being able to play on a regular turntable at the normal turntable speed, which is 33 RPM, was really important to us. If we’d made it some wacky new speed, or even 45 seemed like it was edging more into the exotic space,” Mann says. Being new while also being familiar led the company to mimic some of the standard elements of the record as we know it. “We number each edition on the spine of the record. We put them in authentic gate-fold mini album jackets, just like a 12-inch vinyl, and it has a mini inner sleeve,” Kohler says. “It’s scaled proportionately to be just like a 12-inch vinyl with a mini label in the center on each side.” [Photo: Nathan Zucker/courtesy Tiny Vinyl] A new form factor One downside of Tiny Vinyl’s tiny size is that some record players, especially old ones, can’t actually play them. The tone arms on these older machines are designed to automatically stop right about where a Tiny Vinyl starts, which is where a conventional 12″ record would have its printed label. Some record players have the option to disable this auto-stop feature, but older and lower-end players are just not compatible. But for those with record players that can handle them, playing a Tiny Vinyl is remarkably similar to the experience of a standard 12-inch record, from pulling it out of the sleeve to plopping it on the turntable to watching it spin as the needle drops down. Just like vinyl, but tiny. [Photo: Nathan Zucker/courtesy Tiny Vinyl] Easy to conceptualize, but as it turns out, not so easy to create. Kohler says he and Mann worked with Nashville Record Pressing for more than year to figure out how to make such a small record play correctly. The closer to the center of a record, the smaller its grooves become to maintain a uniform playback speed. Cramming that into the space of a record just four inches across took some extra effort. “The physics of playing vinyl at that scale were not trivial to overcome,” says Kohler. “It’s not rocket science, but it’s nontrivial, and we’ve got a patent submission to try and protect that.” Its main problem solved, the company has its eyes on expansion, accepting orders from big name acts as well as indie groups looking to augment their touring merch. They’re even looking beyond just making tiny records. One obvious next step: tiny record players. Kohler and Mann wouldn’t say when something like that might be available, but tiny record collectors may soon have another item to add to their hi-fi setup. “We are in development on those things now,” Kohler says.
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E-Commerce
In the lobby of the MIT Museum in Cambridge, Massachusetts, an enormous sculpture made from thousands of feet of plastic twine falls from the ceiling. It’s entrancing. As you look up, your eyes take in how the fibers change color from blue to green to red to orange as it undulates across the space. While the piece looks abstract, each fiber actually has a precise meaning. The artwork was created by artist Janet Echelman is inspired by climate data guided scientists at MIT. Each strand of fiber represents the temperature of the planet over a period of time and the color signifies how hot it is, with blue and greens reflecting cooler climates than the reds and oranges. The sculpture goes all the way back to the ice age, but the most thought provoking part is our current moment, represented by a single yellow piece of twine. It then spreads out into a broad web that represents future centuries: Based on how we act right now, the future could look shockingly red or a calmer blue. As you look forward, into the museum, you see a wide range of possible pathways, from a deep red representing the worse outcomes of global warming to a more hopeful future represented by blues and greens. The piece is called Remembering the Future, drawn from the Sren Kierkegaard quote, “The most painful state of being is remembering the future, particularly the one you’ll never have.” [Photo: Anna Olivella, Courtesy of MIT Museum] Echelman insists that the point of this sculpture isn’t data visualization. Instead, it is meant to take in the immensity of climate change without a feeling shock and paralysis. “It’s meant to be contemplative,” she says. “My hope is that it unleashes a sense of agency.” Echelman was first inspired to use fibers to create art in her twenties, when she saw fishermen casting out large nets on beaches in Asia. She began hand-crafting large sculptures from plastic fibers that have been displayed all over the world. In 2022, one of her works called “Earthtime 1.78” was installed in Milan. It was meant to symbolized interconnectedness, since the fibers are intertwined; the whole structure moved with the mind, reflecting how we are all subject to forces of nature. [Photo: Anna Olivella, Courtesy of MIT Museum] Echelman created this piece during her residency at the MIT Center for Art, Science and Technology. For three years, she collaborated with Caitlin Mueller, a professor in MIT’s departments of architecture and civil and environmental engineering, to create software that would translate the data into a digital structure that Echelman could use as the basis of the sculpture. Raffaele Ferrari, a professor who models climate data, helped guide the research and visual different climate futures. In the lobby, museum visitors have the opportunity to play with a screen that features a digital twin of the sculpture. Using your fingers, you can digitally adjust the ropes of the sculpture, and explore the technical tools used to create it. Caitlin Mueller, left, and Janet Echelman, right. [Photo: Anna Olivella, Courtesy of MIT Museum] While the sculpture’s design required involved a lot of technology and software, the piece itself was made by hand. Echelman says that it took her team about a year to weave the pieces together. “Each piece of twine was woven slowly, bit by bit,” she says. “This is very much a handcrafted object.” Echelman says she was inspired to create the piece because she struggled to take in all the news about the state of the planet. “It’s like we’re getting texts every day in all caps telling us that the planet is on the verge of collapse,” she says. “It’s too much to think about, so I found myself avoiding the topic entirely.” She wanted to create a sculpture that would be visually intriguingsomething that makes you look at it, rather than away. And importantly, she wanted to visualize the many futures that lie ahead of us, depending on how we choose to behave in our own lifetimes. Indeed, our moment is represented by a single yellow cord. The tension of each cord is thoughtfully calibrated, but the yellow cord carries the highest tension. “It’s meant meant to reflect how much tension there is in this moment, and how much the choices we make now matter,” she says. [Photo: Anna Olivella, Courtesy of MIT Museum] Michael John Gorman, the director of the MIT Museum, says this piece was installed at the lobby of the museum, which is open to the public, so that the entire community could enjoy it. He says that people often come into this area, which has seating, to eat lunch or have a coffee from the museum’s cafe. At night, the sculpture is lit with lights to accentuate the different colors in the sculpture. “The artwork touches on one of the most important issues of our time,” he says. “We want as many people as possible to take it in.”
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E-Commerce
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